I Live in V.I., a Social Class Satire from Nigeria: A Deep Dive into Urban Alienation and Gentrification
The upcoming film I Live in V.I. is a captivating social class satire from Nigeria, directed by Ugochukwu Azuya and produced by Olubunmi Ogunsola. This project, showcased at the 2026 edition of Open Doors at the Locarno Film Festival, has already garnered attention and won the Tabakalera-San Sebastian Film Festival Residency Award. The film explores the complexities of urban life, particularly the struggles of a young woman named Florence, who leaves her small town for the bustling city of Lagos in search of opportunity.
A Personal Journey and Universal Themes
Azuya draws from his own experiences as a young person in Lagos, a city known for its stark class divisions and materialistic culture. The film's protagonist, Florence, mirrors the working-class background of many young Nigerians who migrate to the city in pursuit of a better life. This personal connection adds depth to the story, making it relatable to audiences worldwide.
The themes of I Live in V.I. are undeniably universal. The idea of leaving one's hometown for the promise of an urban paradise is a common human experience, whether it's Lagos, Tokyo, São Paulo, or New York City. Cities like these are unique, with their own rhythms and psyches that can be overwhelming to newcomers. The film highlights the challenges of adapting to city life, the struggle for human connection, and the impact of class and social background on one's identity.
A Satire of Urban Struggles
Florence's journey in I Live in V.I. is a satirical exploration of urban alienation and gentrification. After the loss of her father, she moves to Lagos, only to find herself grappling with poor living conditions, a demanding job, and unprocessed grief. To cope, she creates a lie about living in Victoria Island (V.I.), a wealthy neighborhood, to maintain the illusion of success. This narrative device adds a layer of surrealism to the film, showcasing the lengths people go to in order to survive and fit in.
A Poetic Cityscape
Azuya's direction aims to capture the poetry of Lagos, a city that is both brutal and magical, chaotic and full of life. The film's ensemble cast and dramatic situations reflect the diverse aspects of the Nigerian collective psyche, from eccentricities to ingenuity. The director's note emphasizes the city's unique rhythm and the challenges of navigating it, especially for those from different backgrounds.
A Call to Action for Development
Following the Open Doors showcase, the film team at Ensemble is committed to giving I Live in V.I. the development cycle it deserves. The Tabakalera-San Sebastian Residency Award provides a clear direction for the film's future, and the team is honored to have been awarded this opportunity. This step is crucial for the film's growth and its ability to resonate with audiences worldwide.
In conclusion, I Live in V.I. is a powerful social commentary on urban life, class struggles, and the human condition. Through its satirical lens, the film invites viewers to reflect on the complexities of modern society and the universal experiences that connect us all, regardless of our geographical location.
